All across the world a uniform, homogenous model of development, inspired by Los Angeles style urban sprawl – consisting of massive freeways, parking lots, shopping malls and large-scale master planned communities with golf courses – is being stamped onto the earth’s topography. Spot Photo Works is proud to present ANONYMIZATION by Robert Harding Pittman. The exhibition will span from May 2 through July 3, 2015. An opening reception for the artist will be held on Saturday, May 2nd from 6-9 pm. Spot Photo Works is located at 6679 Sunset Boulevard in Hollywood at the historic Crossroads of the World. Free parking for the reception is available in the Crossroads lot behind the gallery on Las Palmas Ave north of Sunset Blvd. Contact firstname.lastname@example.org for inquiries.
The globalized model of architecture, which ANONYMIZATION is concerned with, does not respect or adapt itself to the cultural or natural environment onto which it is implanted. With this anonymous type of development come not only the destruction of the environment, but also a loss of culture and roots, as well as alienation. As we have seen in recent history, fervent overdevelopment has led to crises, not only financial, but also environmental and social and some even say psychological.
German – American photographer/filmmaker Robert Harding Pittman began work on ANONYMIZATION while attending graduate school at the California Institute of the Arts where he received a dual MFA in Photography and Film/Video. A Fulbright grant took him to Spain and he has since continued to photograph Los Angeles style development in Spain, France, Germany, Greece, Dubai and South Korea. The world was in the midst of a construction boom when the project began, and as world economics has foundered, cranes have come to a screeching halt, often leaving a trail of structural debris behind. Robert Harding Pittman’s book ANONYMIZATION was published in 2012 by Kehrer Verlag featuring writings by environmentalist Bill McKibben and former George Eastman House curator, Alison Nordström, along with Pittman’s photographs. The project has been nominated for the Prix Pictet and the German Photobook Award.
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